Saturday, 13 January 2018

Mello Coat of Arms - Meanings and Family Crest Artwork + additives après les visites des perses

https://coadb.com/surnames/mello-arms.html#.WlnTIIEe23o.gmail
L.S. 
de *||+ vôtre attention​ Cl5*/ 2nd  - localité de 2101 PS - la Hollande du Royaume 
Chateau d'eau - Cerfedûnes dépostift

notification de reçu de  

le blason​ Mello armistice
teapot 'betty'
​:de la liste des souhaites​ enrégistrés 
les priheures de Chez-nous-la-Chapelle

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bur 4 beaubourg - 
belfort St. Jerôme​



relief d'une paysage à Loreto ​ville régale

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addit of 
Baltimore 
Walters Museum of Art

Wednesday, 10 January 2018

Japanese Art - Hiroshige

great bridge at senju


Utagawa Hiroshige
, 1797-1858
One Hundred Famous Views of Edo: Great Bridge at Senju
(Meisho Edo hyakkei: Senju no Ohashi)

signed Hiroshige ga, published by Sakanaya Eikichi (seal partially trimmed), with censor's seal Aratame and date seal tatsu-ni (year of the dragon [1856], 2nd month)
oban tate-e 14 1/4 by 9 1/2 in., 36.3 by 24 cm
The bridge depicted in this composition was called the Great Bridge, as it was the only one to cross the Sumida (locally known as the Senju) River for the first seventy years of the Shogunate's control over Edo and the surrounding provinces. It was the policy of the first Shogun Tokugawa Ieyasu (1543-1616) that no bridges should be erected connecting connecting the city to potential adversaries to its north. However, the Great Bridge was too great a commercial and social lifeline for it to be taken down. Powerful daimyos and merchants crossed the bridge daily, and the Shogun himself used it to visit the graves of his ancestors at Nikko. The bridge would live up to its name, surviving for three centuries before finally being destroyed in a flood in 1885. This is a remarkable longevity for a wooden bridge, even one which, as one can see in this depiction, was solidly constructed.
References:
Hiroshige: One Hundred Famous Views of Edo, Brooklyn Museum of Art, 1986, cat. no. 103
Museum of Fine Arts, Boston (mfa.org), from the Spaulding Collection, accession nos. 11.2208, 11.16727, 21.10441, and 21.10442

Saturday, 6 January 2018

Epiphainon hieraticon - Barristerday - Divorce Per Time E#ra

ik weet niet of ik over voldoende techniek beschikken kan om mijn bedoeling - het publiceren van het meest wonderlijke verhaal dat ik ooit schreef en tegelijkertijd de mooiste ervaring na vele, vele jaren van afwezigheid het verhaal van Epiphania - Adoratiedag - camelon link - te verwerkelijken:

reseeming me the clement Lord of today's worth we tell the public there is no joy in all this which we give for knowledge 'cause we are invited to serve the barr by way of this famous discernment given off -
"The Barrister on Duty is Divorced" -
Hartekamp Officium - de serre van de rechtervleugel -
cameleon forthcoming a link to the document written in Dutch which I consider is not easy just for that reason to translate
- nevertheless it is a good opportunity to inform my readers that this tongue of my mind which is given in the Dutch language in which theWord is heared to the voice of our Lord holy speaking Him tyo those Had chosen to represent His Word - although people tell each other I write too in King's English - this is a kind of  language which is seldom  seen written neither very often heard but in the overt proves more and more it's by this reason and effect regularity it is revered - and don't forgive me to mention here Dutch langudaffe is extremely blessed with guttural sounds and some kind of speaking by which one utters vocals no other language gives to hear those well, though... no, for parallels with the days Messiah walked with us and afterwards was made a start to collect written words set together in the one Good Message ||+||story is that many gospels of Christ Jesus are today in the attention of many to be this giving right day account which is not alike retales of undesired errant i  what is obvious clear for every private opinioner who knows well enough that hell keeps a cause good people will not have words for to spend so laveously ||+||