Wat vindt je er nu van? Niet voor herhaling vatbaar, zou ook dom zijn, maar omkijken levert wat op. Ik hoor het wel als je wilt deelnemen in het innerlijk poverleg. Ik ben er niet eens zo rouwig over dat de realiteit nu voorbij is. Dat ik je of jullie niet meer zou mogen zien acht ik onvoorstelbaar, evenzo dom als denken dat we nu opeens andere, betere, slimmere etc. mensen zijn geworden. We zijn slechts erachter gekomen, dat wij ook bij onszelf bleven op een andere manier dan wij dat ons zo voor onszelf hadden uitgemaakt. Wie echter zal dezelfde zijn als zijn spiegel hem laat zien? Groetjes, Clemens/
n.b. https://acts24clement.wordpress.com, www.centrum-hout.nl, www.orteliusmaps.nl, www.regina-schmidt.de, http://billyblixer.blogspot.com, http://cyclement.simplesite.com, www.ge-buer.com/
P.S. Indien ik niet zo voor mijzelf alleen alles kon verrichten dat nodig is in deze korte tijd van stilte, dan zou de waarheid die wij vanuit ons land de wereld insturen niet eenvormig zijn en zou ons standpunt aan gezag en kracht inboeten, omdat ervan gezegd zou worden dat wij deze waarheid niet in onszelf hebben gevonden. Alleen..eh...wat bedoelt de heer jonkheeeer de Buer Clément Michèle...woooah, woooah,...eigenlijk als hij het heeft over...eh...onszelf?....hinderlijk persoon...drank, vrouwen, schaars gekleed...bloemen.... www://chocola.nu/ |
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sportcentrale de Schoonheid |
the presentation title is the photographer's japanese style of painting / or 'the artist at his easel'
creating a piece of art means and includes sometimes to make the beauty is in the same beating style as bringing out a performance on stage, every time the artist meets a white canvas he is still in the same way of the sculptor being that like he stumbles on a block of stone for which in quite a fight with the matter should be made into a meaningful sculpture to go beyond the obviously impossible for the layman's eye /
the image of a young man I have met in Facebook: Andy angel/ edit after the original selphy
hierboven: de renaissance stijlkast van de schutterij
- origineel Rijksmuseum
attached below: the meeting of the powers / showdown / when both of David's meet the good in themselves / originally dd. 08-05 - 2016 made /
after the digital painting showing below:
explanation: the tension in the two opposing colors included in the scope of dark blue to black, incontrast to the red and black caused a powerful communicative and communicable balance for the relevant basic action of meeting the opposite sex and the rules of the mind set in their heads // that can read blue nor write true, who was redheaded, deaf and blind, and talk to each other they could not and staying in each other's company like friends many were already no longer liking very eagerly/ the roles for red and blue were given to show that enduring acts of mutual exchange of abilities and power make that one finds a joy in the course of the meeting like a fight for becoming accepted, beloved and well understood/
- the performance of meeting in real time under such conditions is only ressembling modern forms of kabuki theater /
- for the layman: abracadabra belladonnaria stage performance to show that cutting the mass of voters of its stem which is their people means that the member of a state when bringing out his vote for a while is no part of the people he belongs to, neither reason is to suppose he is in that moment of choice a citizen under the rule of the state he belongs to, like then and in that case he acts as if he were a citizen in a free virtual state in which everything goes lawfully and according to reasons that are still expected to become formulated once/
- the saying is: ''the hardening of iron into steel happens in cold water"/
Time set for this Display: during the week after the Pentecoste in May 2016 /
- conclusion: 'the orange rider is ready for serving his lady well'
